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Michael D Housewright
  • Work
  • Housewrighter
  • Work
  • Video Production
  • About Michael
  • Contact
  • Housewrighter Musings

Palo Alto Trees

The stark beauty of a bare oak

Palo Alto Trees is a selection of images from my recent hike up to The Dish in Palo Alto, California. Although I have lived here for nearly six months this was my first walk up to the iconic dish overlooking Stanford University. In this first image I love the curvature of the background suggesting this is a particularly special tree rising alone on the top of the world.

The sun makes the air visible to me. Since I was child the trees in my hamlet in Texas were mysteries to me and places to ponder my misery and also my plans to triumph. I lived a life like a Wes Anderson film and trees in this pattern are beautiful reminders of where I come from and the imagination it took me to get here.

Juliet spotted this lone stump brimming with character. This seems like a signpost in Dodge City or along some wagon trail to hell. The texture in the wood is in such harmony with the grass and the tree behind. I like this image very much.

The final Palo Alto trees are opposite forces sitting in the deep Serengeti-like grass. The area is known to be a haven for mountain lions and coyotes and they strictly usher everyone out by dark. I found myself walking with an eye to the heavy rocks I could grab in case I needed to go a round or two with a Puma.

I took all images of Palo Alto trees with the Nikon D7000 with 18-205 lens. I used Snapseed only to process the images and all were tweaked in numerous ways.

tags: Travel, Adventure, Blog, Hiking, Images, Juliet Housewright, Michael Housewright, Palo Alto, The Dish Palo Alto, Photography
Thursday 02.21.13
Posted by Sarah Finger
 

iPhone Photography Workshop - San Francisco

Learn How to Create These Images

Hey San Francisco, I am hosting an iPhone and Creative Imaging Workshop April 13 and 14, 2013 in your city. My drear readers and followers of Bliss I would love to meet some of you face to face at this wonderful iPhone photography course taught by uber-talent Sam Krisch.

Follow this link for all the details. If you have wondered where I have been for about a week I have been planning and developing this amazing program.

Sam is responsible for my rebirth into photography and through his course I have been able to find my voice in photos. After 37 years of academic pursuits I truly learned more from Sam in a short weekend than I did in any class I had taken through the course of my CV. This weekend workshop will make you a better photographer and that translates to any medium iPhone or otherwise. If you do not live near the bay area use this as an excuse for a visit to one of the world's most beautiful cities and photograph it.

I hope to see you April 13 and 14!

Happy Photographing,

Michael

tags: @Blissadventure, Adventure, April 13 and 14, Histamatic, The Blissful Adventurer, San Francisco
Wednesday 02.06.13
Posted by Sarah Finger
 

San Francisco Solitary Trees

Buena Vista Park

San Francisco Solitary Trees

On consecutive walks in the city

I came upon separate solitary trees sharing their light and oxygen with me.

I found reflections of self in these lonesome trees

and knew no way to take them in my car or even across the street

So I shot them, not with cannon or laser but handy little phone

Edited them quickly and now they are never alone.

From the initial image I saw promise

some paint and Spackle dotted here and there

a few lens filters for texture

now I have them with me

my solitary trees posted here on the web of information for all to see

Share my days I wish so often could be

with each of you blissful readers

while you likely cannot come with me

you may take your own bit of joy from

my San Francisco Solitary Trees

tags: @Blissadventure, Adventure, Buena Vista Park, California, Hipstamatic, Land's End, Michael Housewright, Photography
Friday 01.25.13
Posted by Sarah Finger
 

San Francisco Lands End

Maritime Dream

San Francisco Lands End is my short photo essay on one of the city by the bay's greatest natural assets. The image above is my favorite shot of 2013 thus far and it reminds me of the stark beauty surrounding this city on all sides. Land's End is part of the Golden Gate National Park Conservancy and after years of work is now one of the most pristine parks I have seen in the US. I say that because I actually preferred the place when it was bit more ramshackle and difficult to maneuver. Now, there are buses, tourists, and a gift shop?

I took the previous shot and this one from the ruins of the 19th Century Sutro Baths. In this image the pool of the baths overlooking the Pacific gives the impression of an exotic resort on the ocean rather than a graffiti mired wasteland which is now the home of a cute little river otter. I love the clouds in this image and when I am here I feel so far from the inner grit of San Francisco.

The Cliffhouse is a famous SF restaurant on the Pacific. Mavericks are waves that come in sometimes that bring surfers on emergency flights from around the world to surf 25-40 foot swells. I loved seeing these bad boys break and the shimmering light on the sea behind them.

Just on the edge of Sutro Baths are these craggy rocks and the cappuccino-like foam of the Pacific this day at San Francisco's Lands End. There are amazing views of the Golden Gate Bridge on this walk around the park but I was a little late for the good light on the bridge and my images were not up to standard. Next time :-)

With the challenging light I was able to capture a final image worth sharing. I had hoped to present a few more images but this day at San Francisco Lands End proved to be more for hiking than photography. I recently read some Ansel Adams quote about if one gets one good image a month they are doing well. I feel like I am doing pretty well.

Ciao Tutti!

M

 

 

tags: Michael Housewright, Photography, Land's End, Hiking, Images, Travel, San Francisco
Wednesday 01.23.13
Posted by Sarah Finger
 

Post-Process Evolution

Stage 4 of the Process

Post-Process Evolution is a short photo essay documenting the process by which I transform an image into my creative vision. The first image above is Stage 4 of the process and I displayed it here first because few people would have opened the post had I used the Stage 1 image as my lead photo :-) In essence, I am offering a little insight into the magic I use to mess up my images. Feel free to experiment messing up your images and there is a world of discovery good, bad, funky, and unique waiting for you. (Messing up images I borrowed directly from the teachings of Sam Krisch)

I begin the discussion by saying all work was captured and processed here directly on my iPhone 5 and that no animals were harmed in the making of this post.

The shot above was taken in the early afternoon inside the Cafe Venetia at the Palo Alto Cal-Train Station. This bank of glass brick receives little light with a noon-ish sun and so this plant which appears to me as an ancient semi-petrified grapevine has only a bit of light illuminating its craggy branches. (Hipstamatic Jane Lens Pistil Film)

Here in stage 2 I load the image into Snapseed, the magical photo editing app now owned by Google and a whopping 3 bucks from the app store. Snapseed is my favorite club in my bag and it has allowed me to transform my work into my dreams.

With Snapseed I increase the ambient light buried in the digits of code and immediately the window appears to be illuminated as well as the vine. I crop out the Hipstamatic border here because I have further plans for this image and the border would not function in those plans. All of this is done with finger strokes along the touch screen of the iPhone through Snapseed.

In stage 3 I take the processed image from Snapseed and run it through an app called Old Photo Pro I think the intention of this is app is rather self-explanatory and the wonder of it is it allows one to tune the degree of age, edges, and intensity of the program. Here I wanted to give the entire image an antique look as if from silent movies. The light from the windows is now ethereal and the dreaminess along the wood on the bottom left draws the eye pleasingly to the vine which now seems to have a bit of face in the twisted section midway up the stalk.

Stage 4 of the Post-Process Evolution is really a final point if I wanted to keep the image somewhat in the realm of realism. I took the image from Old Photo Pro and re-processed it in Snapseed to lift the window to afternoon direct light and wash out a bit of the saturation. I added a frame back to the image (which I really do not like) to show what kind of finished product is possible in Snapseed.

I saw something in the image from Stage 1 though that I really wanted to explore. The final 2 stages are the results of this experimental vision.

With the help of an app called Symmetry  I took the image from Old Photo Pro and mirrored it along its Y axis. I liked the dimension now in the window which appears to be a lamp and the vine is now an identical piece of sculpture. Symmetry is a little tough to manage and it can get rolling on you pretty good as you are scrolling so take your time with this one. I was not in love with this image and took it one step further to the effect I was seeking. You can see why I needed to remove the border as it would have thrown off the symmetry and ruined the illusion.

In this final stage of my Post-Process Evolution this grapevine has become  a sinister sculpture or the skeletal remains of some otherworldly creature on display in front of this back-lit glass brick. Antique, macabre, and curious I enjoy looking at this creature and am happy with the results of the process.

One of the most important things to keep in mind with all iPhone photo processing is to make certain all the apps used are set to process and save to the photo roll at the highest possible resolution. Any diminished resolution will create "noise" and other unwanted results in your images.

 

 

tags: Images, Michael Housewright, Snapseed, Sam Krisch, Photography, @Blissadventure, Symmetry
Sunday 01.20.13
Posted by Sarah Finger
 
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